“The Rape of Proserpina” (side view). In the context of the subject, the word "Rape" refers to the traditional translation of the Latin … Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into love, as revealed by the presence of the cupids holding the chariot reigns and urging the horses on. [4] Howard Hibbard makes similar comments noting the realistic effects that Bernini had achieved via carving hard marble, such as the "texture of the skin, the flying ropes of hair, the tears of Persephone and above all the yielding flesh of the girl". The rape of Proserpine: a poem in three books. The eighteenth-century French visitor Jerome de la Lande allegedly wrote: "Pluto's back is broken; his figure extravagant, without character, nobleness of expression, and its outline bad; the female one no better". This snapshot in time contains a considerable amount of life-like detail. This sculpture was commissioned by Cardinal Borghese of the Catholic Church and is still located in the Galleria Borghese—the room for which it was commissioned—in Rome, Italy. Type: Painting. The Rape of Persephone does just that. As with many of Bernini's early works, it was commissioned by Cardinal Scipione Borghese, possibly alongside a portrait of Scipione's uncle Pope Paul V (who had died in 1621). The story is told from the perspective of Haides. Style: Netherlandish. The Rape of Proserpina (Bernini) is a large baroque marble sculptural group by Bernini executed between 1621 and 1622. This interest in transforming stone into skin is particularly evident in The Rape of Proserpina, a piece intended to portray a dramatic abduction (in the case of its title, the term “rape” refers to the act of kidnapping). The Greek mythological name for this god was Hades, which became more common as the name of the underworld … Bernini was only 23 years old at its completion. Bernini was only 23 years old at its completion. The emphasis on the sensuous, bodily experiences, as portrayed through the dynamic poses and the detailed contact between the figures, is characteristic of Counter-Reformation and Baroque thought. Ceres, goddess of the harvest had a daughter fathered by Jove, and the girl's name was Proserpine. This dynamic representation, a trait developed by the Baroque masters,7 creates a vivid and believable representation of this myth. "THE RAPE OF PERSEPHONE 1" Theoi Greek Mythology; Jeanmaire's assessment of the Persephone myth was based primar upon an etymological excursus within his monumental work, Couro Couretes. Pluto was the ruler of the underworld in classical mythology. Creator: Rembrandt Harmenszoon van Rijn. THE RAPE OF PROSERPINA was the Roman version of the tale of the abduction of the springtime goddess Proserpina by Pluto, king of the underworld. The way Proserpina’s hand presses into and distorts Pluto’s face, and the impression that Pluto’s hand makes in Proserpina’s leg, serve to tell the story. Pedro Pablo Rubens -and workshop- / 'The Rape of Proserpina', 1636-1637, Flemish School. The Rape of Persephone: A Greek Scenario of Women's Initiation. Following a relatively brief account of the goddess's abduction, Cyane, displaying a breathtaking if futile courage, stands up before Dis and rebukes him: gurgite quae medio summa tenus extitit alvo Choose your favorite the rape of proserpina tapestries from thousands of available designs. The second book of the epic has an elegiac epistle addressed to Florentinus, the city prefect, and reflects Claudian’s interest in the Eleusinian mysteries. Image Credit: Columbia University. Incomplete. “The Rape of Proserpina” (side view). (65 x 77 cm) Sheet: 26 3/4 × 34 1/8 in. The Rape of Proserpina Oil on panel. Dimensions: Plate: 25 9/16 x 30 5/16 in. The Rape of Proserpina (Italian: Ratto di Proserpina) is a Carrara marble sculpture made by Barque-era Italian artist Gian Lorenzo Bernini. We've shipped over 1 million items worldwide for our 500,000+ artists. It depicts the Roman mythological story of the abduction and subsequent rape of Proserpina by the god, Pluto. It depicts the abduction of Proserpina, who is … While other views provide further details, a spectator can see the desperation of Proserpina and the lumbering attempts of Pluto to grab her. Each purchase comes with a 30-day money-back guarantee. Incomplete. Rape of Proserpine (after Peter Paul Rubens) by Willem van Herp.jpg 1,000 × 920; 103 KB Rape of Proserpine by C.Schwarz (c. 1573, Fitzwilliam).jpg 900 × 619; 173 KB Rape of Proserpine MET 25412.jpg 1,980 × 1,992; 938 KB on Amazon.com. Gian Lorenzo Bernini, Pluto and Proserpina (Persephone), 1621-22, Carrara marble, 225 cm high (Galleria Borghese, Rome) A conversation between Dr. Beth Harris and Dr. Steven Zucker. This then resulted in the myth surrounding the creation of the seasons, as Demeter mourned the time that Persephone spent in the Underworld with her husband. Title: The Rape of Proserpine. Details. Bernini was only 23 years old at its completion. Proserpina is the Latin variant of the mythic Greek Persephone. 2000. Artwork #2: The Rape of Proserpina Question #1: What is the meaning behind the baroque marble sculpture? 126. Question #2: What artist created the Rape of Proserpina? Atsma, Aaron J. Toggle navigation. Medium: Engraving and etching. The Rape of Proserpina reflects one of Ginori’s most successful attempts to employ porcelain as a serious medium for sculptural expression. By forcing the audience to actively view the piece, Bernini ensures that the viewer’s experience of the sculpture is expanded and dynamic in its own right. 105695). 3 A wax model of The Rape of Proserpina survives; Lankheit 1982, fig. While this event is not from Christian beliefs, it still carries with it the same ideals that permeated this time period. Medium: Oak wood. Western Theological Seminary. This sculpture was commissioned by Cardinal Borghese of the Catholic Church and is still located in the Galleria Borghese—the room for which it was commissioned—in Rome, Italy. To which are added, the Phoenix: an idyll and the Nile: a fragment [Claudianus, Claudius.] Quite soon after its completion, the statue was given by Scipione to Cardinal Ludovisi in 1622, who transported it to his villa. [1][2] The word "Rape" is the traditional translation of the Latin raptus, "seized" or "carried off", and does not refer specifically to sexual violence. Purchased by the Italian State, it returned to the Villa Borghese in 1908. Atsma, Aaron J. It is not a true divinity, but a decorative god..."[9], Others have remarked on the twisted contrapposto or figura serpentinata pose of the group. [14], "Newest Miami Condo Enticement: Modern Art", "Roma: Galleria Borghese, protezione del Ratto di Proserpina del Bernini", The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, https://en.wikipedia.org/w/index.php?title=The_Rape_of_Proserpina&oldid=1012820248, Bernini sculptures in the Borghese Collection, Pages using infobox artwork with the material parameter, Articles containing Italian-language text, Articles with unsourced statements from June 2019, Creative Commons Attribution-ShareAlike License, A fragment study of Prosperina's head, long thought to be by Bernini but probably actually created by a related artist is in the, This page was last edited on 18 March 2021, at 14:13. External Link: Gemäldegalerie, Staatliche Museen zu Berlin. Galleria Borghese, Rome, Italy. 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